This monograph by the award-winning Dutch-born photographer Sassen features photographs from throughout West and East Africa. Sassen's overriding theme is parasomnia, a sleep disorder involving strange movements, behaviours, emotions, and dreams. The otherworldly feel of these photographs, involving both human and inanimate subjects, aptly conveys an altered-consciousness point...(展开全部)

This monograph by the award-winning Dutch-born photographer Sassen features photographs from throughout West and East Africa. Sassen's overriding theme is parasomnia, a sleep disorder involving strange movements, behaviours, emotions, and dreams. The otherworldly feel of these photographs, involving both human and inanimate subjects, aptly conveys an altered-consciousness point...(展开全部)

Following the success of Parasomnia, this major new book focuses on the fashion photography of Viviane Sassen. Bringing together 17 years of work in the fashion world, this eye-catching volume features selections from Sassen's award winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines suc...(展开全部)

Following the success of Parasomnia, this major new book focuses on the fashion photography of Viviane Sassen. Bringing together 17 years of work in the fashion world, this eye-catching volume features selections from Sassen's award winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines suc...(展开全部)

Winner of the Caldecott Medal Once, all the stories in the world belonged to Nyame, the Sky God. He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

Winner of the Caldecott Medal Once, all the stories in the world belonged to Nyame, the Sky God. He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

哈罗德•布鲁姆，当代美国极富影响的文学理论家、批评家。1930年生于纽约，曾执教于耶鲁大学、纽约大学和哈佛大学等知名高校。主要研究领域包括诗歌批评、理论批评和宗教批评，代表作有《西方正典》（1994）、《如何读，为什么读》（2000）、《影响的剖析》（2001）等。被誉为“西方传统中最有天赋、最具原创性和最富煽动性的一位文学批评家”。

Recounts how most African folk tales came to be called Spider Stories .

Many African stories, whether or not they are about Kwaku Ananse the "spider man," are called, "Spider Stories." This book is about how that came to be. The African storyteller begins: "We do not really mean, we do not really mean that what we are about to say is true. A Story, a story; let it come, let it go." And it tells that long, long ago there were no stories on earth f...(展开全部)